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Nick Ford

Lessons

Guitar Practice Tips: Have a goal

Nick Ford Guitar

Have a goal with each practice session. Work on something specific. This is important for guitar players and musicians who have been playing for a while and already possess some skill. Practicing familiar songs, riffs, and licks is comfortable and fun, but this can sometimes lead to stagnation. Free improvisation or noodling  shouldn’t be discounted as these can lead to ideas, but working on something mindfully can yield amazing results.

After a good warmup, (see my article on warming up here http://steellemon.com/2016/11/17/practice-tips-1-warm-up/), figure out how much time you have to practice, then decide what you’d like to play and improve. Set a goal. Here are a few examples.

  • Notes on the fretboard study, 2 minutes
  • Economy Picking, 10 min
  • Sweet Child ‘O Mine, Guitar solo #3, 5 min
  • 6432 Jazz Voicings, Major 7 chords, all keys, 5 min
  • Brown Eyed Girl, (guitar, singing, and lyrics) 2nd verse, 5 min

Slash from Guns ‘N Roses

It is also crucial to have long term goals. Take a little time every once in a while to evaluate your playing, then set some bigger goals for yourself. The aforementioned practice ideas are the smaller bites that you can take to keep moving forward. Your long term ambitions might look like the following in relation to the previously mentioned practice examples.

  • Learn every note of the fretboard
  • Have fluidity and rhythmic accuracy with economy picking
  • Learn Sweet Child ‘O Mine, note for note
  • Master 6432 jazz voicing for Maj7, Dom7, m7, m7b5, and dim7.
  • Play Brown Eyed Girl at the annual neighborhood bonfire

Van Morrison

A little bit of thought put into your practice time will keep your practice sessions focused. Choose goals that challenge you, and with time and persistence, you will improve. Have fun and practice hard!

Lessons

The Breadfan Modulation Exercise

Some years back, I was playing in a band where we would play the final 4 bars of the Budgie song “Breadfan” (famously covered by Metallica). As a goof, the other guitar player started playing the riff one fret higher (in Fm from the original Em). I quickly saw and heard this, and reacted appropriately with the correct harmony or guitarmony as I like to call it. He then proceeded to move up the fretboard one fret at a time playing this, and the Breadfan Modulation exercise was born. What started as a goof turned into a good warmup for the band and got me thinking about applying this concept to other rock and metal songs.

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James Hetfield of Metallica

I quickly realized that not only can rock songs be practiced this way, but that they should be! This is an uncommon thing to practice in rock, but it is very commonplace in styles like blues and particularly jazz.

Some years later in my current band, we were working on an original song in G#m. The song fades out with a guitar, so just for fun, I quoted “Stairway to Heaven” on the fly, but in the key of G#. I had never actually played Stairway in G#, but I was able to improvise this because I knew the tune, and I practice this way all the time. It got a few good laughs.

So why does this matter? Practicing riffs, licks, scales, arpeggios, and yes, even full songs in different keys, or really, ALL keys improves your musicianship tenfold (or 12fold, since there are twelve pitches!). Once you get the hang of practicing things in every key, it becomes second nature. It is easy to adapt if the key of a song needs to be changed. The melody is too high? No problem, you can change the key on the fly. Forgot your capo? No sweat! Let’s play it in Eb!

Breadfan modulation guitar excercise

Here is the Breadfan Modulation Exercise. If you can, play this with another guitar player so that you can play the guitarmonies together. Note: “Divisi” means divided. Play either the higher or lower note in the 3rd measure of each key. You can play the harmony by yourself, but it doesn’t have the clarity that harmonizing with two guitar players does when played with distortion. It still sounds cool though. If you want to be thorough, practice it these three ways…

1. Play the lower melody (D and E in measure 3, etc)

2. Play the higher melody (F# and G in measure 3, etc)

3. Play the harmonies together by yourself. This is a bit tricky, but give it a try if you like.

What next? Try applying this concept to your favorite songs. Start with simple songs, and go from there. As you move the progression around, be sure to keep track of what key you are playing in. This is crucial if you want to reap benefits in the musicianship department.

Lessons

Practice Tips: Warm Up

Welcome to Practice Tips. In these posts, I’ll provide some tips on how to make your practice sessions more efficient, effective, and fun.

My first tip is to make sure to warm up before every practice session. This can mean something different for every player, but it is a good habit to develop. Here are a few ideas. Remember to play slowly and accurately and work your way up to faster more demanding music slowly!

– Playing a song that is easy for you and not physically taxing. If you’re a strummer, start with some Bob Dylan.

Playing a Bob Dylan song is a great way to warm up for acoustic players.

Playing a Bob Dylan song is a great way to warm up for acoustic players.

– 1-2-3-4 Patterns. These are nonsense patterns in a way, but they are an easy way to play something to get yourself moving. The goal isn’t to play anything amazing here, just to get your hands going. These patterns also can lead to some great music, check out my video on warmup songs using the 1-2-3-4 pattern.

5 Warmup Songs that use the 1-2-3-4 pattern

Playing the melodies in the In Flames' song "Jotun" are a great way to warm up.

If you’re a lead player, try playing the melodies in the In Flames’ song “Jotun” as a warm up.

– Scales, Arpeggios, and Chords. Practicing these basic building blocks of music slowly are a great way to warm up and to understand the instrument better. Warming up with them gets them out of the way as well, so that you can get to playing actual music!

– A light bit of stretching of your arms, shoulders, neck, hands. Remember to stretch gently. Check out John Petrucci’s stretching advice from the indispensible guitar instructional video, “Rock Discipline.”

When you want to play music as physically demanding as Dream theater, you'd better warm up first!

To play music as physically demanding as Dream theater, you’d better warm up first!

John Petrucci Stretching


There are all manners of warmup exercises out there to try. Try to find the ones that work best for you, whether they be song-based, pattern-based, or something else entirely. Just remember the goal with warming up is to go slowly and ease into more difficult music. I usually recommend anywhere from 5 to 20 minutes of warmup exercises, depending on what you will be playing.  Remembering to warm up before your practice session will help you to play your best while reducing the chance of injury. Take your time, have fun, and keep practicing!

 

Lessons

Using Broken Strings to Your Advantage

sad guitar strings

Breaking strings is only a matter of time; you play enough, and it’s going to happen. I’ve personally been playing so long that it has not only happened in personal practice, but also at rehearsal, an audition, during a lesson, and even a live gig. Play long enough and this will likely happen to you too. Truth be told, it sucks to break a string. They’re expensive, it can throw the guitar out of tune, and it usually means you have to change the whole set (nobody likes 5 dull strings and one bright one!). There is a silver lining here though as breaking a string can be used to your advantage.

Personal Practice

If you’re going to break a string, this is the ideal place for it to happen. If, or when, you break a string, don’t change your strings right away. Adjust your tuning because you’ll probably have to, then start exploring the instrument with the missing string. See what happens when you play your normal scales, arpeggios and chords. It can lead you to more string skipping, single string playing, different areas of the neck, and get you to play things that you might never have thought of with a full set on. Take this opportunity to play songs that you know as well. This is especially important if you play in a band. You can learn different ways to get through songs you’ve played thousands of times and maybe even improve them a bit. It is also possible that you’ll discover that certain licks and riffs that you play will be impossible, which is also ok. Try playing the old licks on a different fret or playing something new altogether! Finally, use this opportunity to work on some songwriting. New Riffs and Licks can be easily picked up by doing this, particularly with string skipping.

Rehearsal/Audition

This is definitely not the appropriate response if a string is broken at an audition!

I broke a string at an audition a few years back, but I still landed the gig anyway. While it is a tough situation, it can provide a key opportunity to show who you are auditioning for that you can stay cool under pressure. If you break a string in the middle of a song and can still finish the song, it shows you can make the best of a bad situation. You probably won’t have much of a chance to experiment, unless you’re really in the zone and your bandmates are digging it (then by all means, blast away!). More than likely the best response is to grab a backup guitar or change the string and get back into the song quickly!

Gig

The nightmare scenario. Maybe you’re playing a drop D song and you break your 6th string or your 2nd string breaks right before you launch into your epic rendition of “Free Bird.” It’s a nightmare situation, but if you decide to play live, accept that it is a real possibility and if you play enough, IT WILL HAPPEN! I should mention upfront that there are some songs where you would be totally screwed if you broke the wrong string. If you are playing ambitious music, it may be crucial to have every string so you can play a song properly. In this case, you can stop the song. The audience will understand, just remember, fix the situation quickly! A good example would be if you’re playing a song where the signature part uses a lot of pulloffs/hammerons on the top two strings. If you break the 1st string, it’s probably best to stop. If you break a string and think you can finish, fine. Would you want to attempt playing “Cliffs of Dover” without your 3rd string? Me neither.

Ok, with the warning out of the way, a lot of songs can be played or altered while missing a string, and you should consider the possibility that this could add character and life to your show. One possibility is that you break a string and nobody notices. If you get through the song without anyone noticing you broke a string, then nice job! You’ve successfully navigated your way through the situation! Grab a spare guitar or replace the string, then keep rocking!

Another possibility is that you change guitars during a break in the song or during a section where your guitar won’t be missed. Chances are, someone will notice. If you successfully navigate your way through the song with a broken string and a few audience members (or the entire audience, yikes!) notice, this will both impress and likely entertain them. Even the guitarist in the audience with his arms folded thinking he can do everything you can do blindfolded will have to give you props for that!

Last but not least, don’t dwell on it or get upset. The worst thing you can do is draw attention to yourself by freaking out or getting angry. Laugh it off. Stuff happens. Murphy’s Law dictates that whatever can go wrong, will go wrong, so have a spare guitar, take a deep breath and deal with the situation calmly.

Simulating a Broken String

You don’t have to break a string to practice playing without a string. I don’t recommend removing a perfectly good string to practice this, but an ideal time to try playing without any given string is when you have to change the whole set. The next time your strings are dull and need changing, simply remove one string, then have a practice session. While exploring the possibility of playing without a string can actually be done with all of your strings on (especially with string skipping), it does not simulate the experience of not having the string where it normally is.

So the next time you break a string, don’t despair! Seize the opportunity to explore the guitar and break out of familiar licks and riffs with your brand new 5-string hybrid guitar!