All Posts By

Nick Ford

Lessons, Steel Lemon Live

Guitar Book Review: Building Right Hand Technique

If you’re looking for a guitar book that will help you improve your picking speed and accuracy, then look no further than “Building Right Hand Technique” by Bill Bay. This book is chock full of great right hand exercises. When I’m working out of this, my Steve Morse/Jon Finn/John Petrucci cross string picking playing feels a lot easier.

I found this book while poking around the guitar book section of a used book store. For $7.49, this book was a steal!

“Picking Studies” in the beginning of the book prepare your right hand for the basic technique of alternate picking as well as learning to string skip with both outside and inside picking. While the emphasis is on alternate picking, there are many examples of economy picking and even a few jazzy sweep picking arpeggios.

There’s a fantastic little section on tremelo with studies that are mandolin-like rather than typical Eddie Van Halen-type exercises. Nothing wrong with EVH tremelo licks, but it’s nice to have a little melody to play with the tremelo technique.

…I was also inspired and not bored by the beautiful examples and music within.

The book wastes no time in getting to Petrucci-like difficulty levels with the “Further Picking Studies” section, especially when played at a fast tempo. You’ll definitely get a picking workout!

Here are a few examples of what you’ll find in the book.

“Andante in Bm”

“Bill’s Etude”

There are a number of excellent etudes and little fiddle tunes, but the majority of the book is real world examples in the form of classical studies and pieces converted to pick style guitar by composers such as J.S. Bach, Fernando Sor, Maruo Guilliani, and many others. After working my way through the book, my pick hand technique improved of course, but I was also inspired and not bored by the beautiful examples and music within.

Who is this book for?

  • Anyone looking to greatly improve their picking technique with targeted exercises, etudes, and fun real world examples.
  • Players interested in playing classical music with a pick-style approach.

Who is this book not for?

  • Strummers
  • People who prefer deficiencies in their picking technique

Format

  • Tablature and Standard Notation

Publisher

  • Mel Bay

Ready to take your picking hand technique to the next level with a book that will inspire? Click the link to check this book out! Building Right Hand Technique

Lessons, Music Theory

Parallel 7th Arpeggios Lesson

 

This fun and challenging sequence is great for learning to adapt arpeggio shapes as well as for a warming up. It runs through parallel 7th arpeggios (i.e. Gmaj7 to G7) descending from brightest to darkest. A keen eye will notice that only one note changes at a time as you move through this sequence.

 

Major 7th (1-3-5-7)

Dominant 7th (1-3-5-b7)

Minor 7th (1-b3-5-b7)

Minor 7b5 (1-b3-b5-b7)

Diminished 7th (1-b3-b5-bb7 or 6)

 

When you reach the diminished chord, simply go down one half step (one fret) and start the sequence over again like so

 

Gmaj7 G7 Gm7 Gm7b5 Gdim7

Gbmaj7 Gb7 *F#m7 F#m7b5 F#dim7

*Gb is enharmonically the same as F#.*

 

Without further ado, here is the exercise.

You can check out how it sounds and get a breakdown here.

This sequence can also be applied to whatever arpeggio shapes you like or are currently practicing. Here is another example.

Let me know if you’re going to try it. I’d love to see what you come up with!

Happy shredding and woodshedding!

\m/ \m/

Lessons

Nick’s Quick Licks: Quick Arpeggio Lick Lesson

This slippery Dm7 arpeggio lick makes a great arpeggio exercise as well as useful soloing/improvisation device. Just adding the slides and varying the notes creates enough interest to be a useful musically.

Check out the tabs here and follow along in the video below. Happy practicing!

Thanks for checking out this lesson. If you found it useful, let me know! Happy practicing!

 

Lessons

Elephant Bends Lesson

What are elephant bends you ask? Besides being a bent string lick that reminds me of an elephant, they are bends where two or more strings are played together. It’s usually when a string is bent, and another string gets caught in the midst of that bend.

Check out the lesson on how to play this crazy lick, how to use it in your own playing, and where these crazy bends came from.

 

 

Lessons, Steel Lemon Live

Guitar Book Review: Challenge the Masters

“Challenge the Masters” by Jon Tapella is a book of classical music examples written in a neo-classical style aimed at rock and metal guitar players. Everything is arranged so that it can be played with a pick, so think Jason Becker or Paul Gilbert playing through classical pieces rather than classical guitarists John Williams or Sharon Isbin.

This book first came on my radar when my friend Ryan showed it to me in college. Despite not going to music school like I did, his sweep picking technique was impressive, and frankly better than mine, so I decided to give this book a look.

The great thing about this book is that it provides real world examples of pieces that use techniques like sweep picking and tapping. All of the pieces are well arranged and thoroughly enjoyable to play. I ended up learning Paganini’s “Caprice No. 16” to perform for a post-Berklee senior recital for friends and family who could not attend my actual senior recital in Boston. It was a fun challenge to pull off! You can hear me play it in the link below more recently. I only play through the first section, but it will at least give you an idea of what this piece sounds like and what you can expect to learn from this book, and I threw some blues shredding at the end just for fun.

“Challenge the Masters” was also ahead of it’s time in arranging Pachabel’s Canon for rock guitar, predating Jerry C’s canon rock by over a decade. I remember in the years preceding “Canon Rock” that many players would jam on Canon in D with heavy guitars, but “Canon Rock” was the first one to pull it all together and make it a metal instrumental standard. I don’t know for sure, but it’s certainly possible that “Challenge the Masters” may have helped to inspire this rendition.

Who is this book for?

  • Rock and Metal guitar players looking to improve their overall technique and to bolster techniques like sweep picking and tapping through actual pieces of music.
  • Players looking for a challenge.
  • Players interested in playing classical music with a pick-style approach.

Who is this book not for?

  • Strummers
  • Players not interested in playing classical music on any level.

I highly recommend this book as an awesome resource since it’s format encourages learning advanced techniques via time-honored amazing music.

Ready to get shredding? Got your classical wig and cape? Pick up a copy of “Challenge the Masters” here…

Challenge the Masters by John Tapella

Happy shredding!