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Jazz

Lessons, Music in the Media

Thelonious Monk’s Handwritten Advice for Playing a Gig

Thelonious Monk at Minton’s Playhouse, New York, 1947

This list of tips for playing a gig was written by none other than legendary jazz pianist Thelonious Monk. This handwritten note is a fascinating look into some of Monk’s thoughts on playing jazz, as well as practical advice for playing gigs.

A handwritten list of advice from jazz legend Thelonious Monk

There are a lot of great gems here, but a few of my favorites include;

  • Just because you’re not the drummer, doesn’t mean you don’t have to keep time.
  • Stay in shape! Sometimes a musician waits for a gig, and when it comes, he’s out of shape and can’t make it.
  • What should we wear tonight? Sharp as possible!

So, work on keeping time (practice with a metronome!), practice consistently even when you don’t have a gig coming up, and dress sharp! Amazingly simple, but powerful advice.

For a small taste of Monk’s distinctive style, listen to his tune “Straight, No Chaser.”

Now try playing the *head for “Straight, No Chaser,” notated below. Start slowly, and pay attention to the rhythms and timing. Also notice how he makes use of space. Monk’s advice from the above sheet comes to mind.

    “Don’t play everything (or every time); Let some things go by. Some music just imagined. What you don’t play can be more important that what you do.”

Have fun, keep practicing, and remember to “lift the bandstand!”

 “Straight No Chaser” Standard Notation and Tab

*”Head” is a jazz term for the melody of a tune.

Musicians

Vittorio Camardese, The Godfather of Tapping

 

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Jazz guitarist Vittorio Camardese

Van Halen fans, you need to check this out. EVH had an amazing impact and is credited with popularizing tapping technique, but a jazz guitarist named Vittorio Carmadese was tapping long before Eddie hit the scene. Check it out here…

Lessons, Musicians

My Take on David Rollins’ F Mixo Lick


I participate in a Facebook group called “Guitar Addiction.” One thing that I’d noticed is that there didn’t seem to be much interaction between the members other than the occasional “Nice job” comment, so I decided to learn a lick and post it. I chose an F Mixolydian lick by David Rollins played in position with a lot of stretches. I decided to put my own spin on the lick and play the sequence going up the neck. I also changed the phrasing at the end of the lick and added some chorus to give it a jazz fusion-like sound.
Here’s the original…

F Mixolydian lick derived from intervals of a 5th

Posted by rollinsmusic.com on Wednesday, July 27, 2016

Here’s my version…

This is my take on an F Mixolydian Lick by David Rollins.

Posted by Nick Ford on Wednesday, August 3, 2016

It was a lot of fun to learn this lick, put my spin on it, and to interact with David Rollins. He was very cool about it and shared it in various other groups as well. Be sure to check out his website www.rollinsmusic.com.

Steel Lemon Live

Twin Cities Women’s Choir: Divas and Desserts 2016

Jenny Case on bass, I’m playing a diminished chord, and there’s an orange.

Divas and Desserts 2016 marks the 6th time I have had the privilege of playing with the Twin Cities Women’s Choir.

This year’s theme was movie music, and we played a lot of fun tunes including “Happy” and the “Sister Act Medley.” The sister act medley was fairly long and had a lot of sheet music, 10 pages total! I avoid page turns during professional gigs like the plague, so I got 5 pages on each side, put them up on three stands, then used a chair with wheels to scroll across the bandstand whilst reading! It might be time to invest in a dedicated tablet for gigs…